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Louis Salkind est un peintre contemporain franc\u0327ais ne\u0301 en 1982 qui interroge l\u2018inconscient et les impense\u0301s de notre e\u0301poque a\u0300 travers une suite d\u2018alle\u0301gories a\u0300 la poe\u0301tique amuse\u0301e ou me\u0301lancolique, et fondamentalement politiques.<\/p>\n
Son \u0153uvre questionne des universaux tels que la sexualite\u0301, le genre, la religion, la socie\u0301te\u0301 de consommation, les tabous… dont il met en sce\u0300ne les torsions. L\u2019omnipre\u0301sence des corps, perdu dans espaces-temps versatiles, se fait le te\u0301moin de notre vulne\u0301rabilite\u0301 et nous renvoie a\u0300 l\u2019ineffable solitude a\u0300 laquelle confine la jouissance.<\/p>\n
Apre\u0300s avoir e\u0301tudie\u0301 les techniques de la peinture classique, il peint une premie\u0300re se\u0301rie qu\u2018il appelle Pre\u0301sences Flottantes<\/em>.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb disabled_on=\u00a0\u00bboff|off|off\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb\u00a0\u00bb custom_margin_phone=\u00a0\u00bb0px||||false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_padding=\u00a0\u00bb14px||||false|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb14px||||false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb0px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.16″ text_font=\u00a0\u00bbVarela||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb2em\u00a0\u00bb header_font=\u00a0\u00bb||||||||\u00a0\u00bb width_tablet=\u00a0\u00bb100%\u00a0\u00bb width_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb module_alignment=\u00a0\u00bbleft\u00a0\u00bb custom_margin=\u00a0\u00bb0px||||false|false\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb\u00a0\u00bb custom_margin_phone=\u00a0\u00bb\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb15px||\u00a0\u00bb custom_padding_phone=\u00a0\u00bb0px||||false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb17px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb15px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb text_line_height_tablet=\u00a0\u00bb\u00a0\u00bb text_line_height_phone=\u00a0\u00bb1.7em\u00a0\u00bb text_line_height_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Ce corpus monumental compose\u0301 en trois actes (38 tableaux grands formats) a e\u0301te\u0301 re\u0301alise\u0301 dans trois pays. Il fut pour lui l\u2018occasion d\u2018explorer diffe\u0301rents modes de subjectivation plastique, qui l\u2018ont mene\u0301 de la figuration vers l\u2018abstraction. Cette premie\u0300re se\u0301rie expose\u0301e a\u0300 Paris a rec\u0327u un imme\u0301diat succe\u0300s critique (Beaux-Arts Magazine, Te\u0301le\u0301rama, Huffington Post, Artension…) autant que le soutien d\u2019amateurs et de collectionneurs.<\/p>\n \n Louis Salkind revient aujourd\u2018hui avec sa seconde se\u0301rie Ad Vitam<\/em>. Il y pre\u0301cise son gou\u0302t pour une figuration abstraite, faite de signes et d\u2018informe et affirme son identite\u0301 artistique. Il y concentre sa re\u0301flexion sur le concept philosophique du pli qui \u201e rabat l\u2018inte\u0301rieur sur l\u2019exte\u0301rieur, rend le singulier pluriel et entortille le temps, le pousse dans ses retranchements jusqu\u2018a\u0300 le rendre polymorphe\u201c. C\u2018est en ramassant l\u2018image sur elle-me\u0302me, en la pliant, que l\u2018artiste donne a\u0300 voir la banalite\u0301 quotidienne dans sa dimension d\u2018exception. Il suffit de contempler ses figures, prises en otages de leurs re\u0302ves, pour comprendre que c\u2018est bien en tordant qu\u2018on re\u0301ve\u0300le.<\/p>\n La peinture de Louis Salkind est une \u0153uvre profonde\u0301ment moderne, au de\u0301sir de synthe\u0300se orchestre\u0301 par des lignes tre\u0300s pures et des courbes dynamiques qui s\u2018e\u0301tendent bien au-dela\u0300 de la toile, jusqu\u2018au hors champs qui rode, enveloppant les sujets dans un tissu de re\u0301alite\u0301s plurielles. De grands aplats pastel viennent manger la certitude des contextes dans lesquels ils sont pris en tenaille, entre re\u0301alite\u0301 mate\u0301rielle du monde qui les contient et fiction vraie du re\u0302ve qui les habitent. Ces figures sont a\u0300 la croise\u0301e du re\u0301el, du symbolique et de l\u2018imaginaire.<\/p>\n Dans chacune de ses visions, le peintre questionne l\u2018ambivalence du monde, l\u2018inanite\u0301 du plein, le cri qu\u2018e\u0301touffent certains silences, le bonheur qui nous e\u0301teint autant qu\u2018il nous ravit, la pulsion de vie qui fro\u0302le celle de la mort. Mais si l\u2018artiste plie a\u0300 sa guise le monde qui l\u2018entoure il en fait de me\u0302me avec l\u2018histoire de l\u2018art. Il nourrit son \u0153uvre d\u2018innombrables re\u0301fe\u0301rences qu\u2018il plie dans tous les sens, jouant avec l\u2018inconscient collectif, les inconscients collectifs.<\/p>\n Louis Salkind e\u0301crit son histoire et celle de son art sur la route, quand il ba\u0302tit ses ateliers aux quatre coins de la plane\u0300te pour nourrir sa re\u0301flexion des voyages qui le font en retour. Le peintre partira prochainement en Asie du sud-est, continuer d\u2018explorer le monde du dehors et celui du dedans. Il y cre\u0301era une se\u0301rie Monde,<\/em> dans laquelle il de\u0301pliera ses voyages, cherchant dans \u00ab les invariants universaux de la nature humaine les singularit\u00e9s qui nous font Autres tout en restant les me\u0302mes \u00bb.<\/p>\n Ad vitam<\/em> est la traduction latine de \u00ab vivre \u00bb, et c\u2018est bien vers la vie que l\u2018artiste nous entra\u00eene.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb4px||4px|||\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb0px||6px|||\u00a0\u00bb custom_padding_phone=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_blurb use_icon=\u00a0\u00bbon\u00a0\u00bb font_icon=\u00a0\u00bbl||divi||400″ icon_color=\u00a0\u00bbrgba(0,0,0,0.35)\u00a0\u00bb image_icon_width=\u00a0\u00bb28px\u00a0\u00bb icon_alignment=\u00a0\u00bbright\u00a0\u00bb content_max_width=\u00a0\u00bb53px\u00a0\u00bb image_icon_width_tablet=\u00a0\u00bb28px\u00a0\u00bb image_icon_width_phone=\u00a0\u00bb26px\u00a0\u00bb image_icon_width_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb content_max_width_tablet=\u00a0\u00bb53px\u00a0\u00bb content_max_width_phone=\u00a0\u00bb53px\u00a0\u00bb content_max_width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb disabled_on=\u00a0\u00bboff|on|on\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ header_level=\u00a0\u00bbh3″ header_font=\u00a0\u00bb||||||||\u00a0\u00bb header_font_size=\u00a0\u00bb19px\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb body_text_align=\u00a0\u00bbcenter\u00a0\u00bb body_text_color=\u00a0\u00bb#000000″ body_font_size=\u00a0\u00bb16px\u00a0\u00bb body_line_height=\u00a0\u00bb0em\u00a0\u00bb custom_margin=\u00a0\u00bb|0px||0px\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb-23px||||false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb0px||0px\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_padding=\u00a0\u00bb|0px|0px|200px|false|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb|0px|0px|200px|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb|0px|0px|200px|false|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb body_font_size_tablet=\u00a0\u00bb16px\u00a0\u00bb body_font_size_phone=\u00a0\u00bb14px\u00a0\u00bb body_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb icon_font_size=\u00a0\u00bb32px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n